Tuesday, April 08, 2008

"There Will Be Blood" Out on DVD Today

Director Paul Thomas Anderson's 2007 epic There Will Be Blood, which earned two Academy Awards earlier this year for lead actor Daniel Day-Lewis (who also won the Golden Globe) and cinematographer Robert Elswit, is out on DVD today. Two versions are available: a single-disc version with the film and a special collector's edition with an additional bonus disc featuring behind-the-scenes footage on the making of the film, deleted scenes, alternate takes, and a 1920s-era silent film from the US Bureau of Mines on the early days of the oil industry, set to music by the film's scorer, Jonny Greenwood.

Greenwood's score for the film itself has been called "sublime" by NPR, "a movie music breakthrough" by the Boston Globe, and "revolutionary" by both Rolling Stone and Entertainment Weekly, and was compared by Alex Ross in The New Yorker to Bernard Herrmann's Citizen Kane score for the significance of its contribution to the film.

Listen to three tracks from the soundtrack, read a Q&A with the composer, and watch the film's trailer at nonesuch.com/twbb.


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Click here to add the There Will Be Blood soundtrack CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Wednesday, April 02, 2008

Rolling Stone: "Sweeney Todd" "A Bloody Wonder," Now One of Year's Best DVDs

Johnny_depp_razor "There is no question what DVD you should snatch up this week," writes Rolling Stone film critic Peter Travers. "It's Sweeney Todd: The Demon Barber of Fleet Street." He continues:

The Two-Disc Special Edition is that rare DVD package that actually deserves to be called "special." This is one of the best DVDs of the year, packed with juicy bonus features and showcasing sound and image that set a new gold standard. Directed by Tim Burton and starring his muse, Johnny Depp, the film version of Stephen Sondheim's Broadway classic is a bloody wonder, intimate and epic, horrific and heart-rending. Depp received an Oscar nomination as Best Actor and he deserved to win if Daniel Day-Lewis hadn't blown the category away in There Will Be Blood ... I'd place Depp along with James Cagney in Yankee Doodle Dandy, Rex Harrison in My Fair Lady, and Joaquin Phoenix in Walk the Line as the best performances ever by non-singers in a musical.

To read the complete review, visit rollingstone.com.


Sweeney_deluxe_lg Click here to add the Sweeney Todd deluxe-edition CD, with all 20 songs from the film, plus the free album MP3s, to your Shopping Cart now for only $21.

Wednesday, March 19, 2008

Jonny Greenwood Piece to Be Performed by Alabama Symphony

Greenwood_there_will_be_blood2_lg Jonny Greenwood's composition Popcorn Superhet Receiver, parts of which can be heard in the score for There Will Be Blood, will be performed by the Alabama Symphony Orchestra on April 10 as part of its  Classical Edge series. Greenwood originally wrote the piece for the BBC Orchestra while he was its composer-in-residence; that orchestra is also featured on the There Will Be Blood soundtrack recording. Popcorn Superhet Receiver received its US premiere this past January as part of the Wordless Music Series in New York.

For ticket and further program information on the April 10 performance, visit alabamasymphony.org.

You can listen to three tracks from There Will Be Blood, including "Proven Lands," with music from Popcorn Superhet Receiver, at nonesuch.com/twbb.


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Click here to add the There Will Be Blood soundtrack CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Wednesday, February 27, 2008

NY Times: Greenwood's "There Will Be Blood" Score Will Have "Profound Effect on Scoring"

Greenwood_there_will_be_blood2_lg For the New York Times' media columnist David Carr ("The Carpetbagger"), the "biggest travesty" of this year's Oscars was the omission of Jonny Greenwood's score for There Will Be Blood from the running for Best Score, due to "some indecipherable technicalities." This is especially unfortunate, because, Carr predicts, "Greenwood's amazing score will have a profound effect on scoring going forward." In his estimation, "The composer took an age-old artistic problem---what to put in the ears while the eyes are awash---and came up with a completely new answer." To read the article, visit carpetbagger.blogs.nytimes.com.


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Click here to add the There Will Be Blood soundtrack CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Tuesday, February 26, 2008

Jonny Greenwood Piece Premiere Available on NPR.com

Npr_logo_copy Jonny Greenwood's Popcorn Superhet Receiver received its US premiere last month as part of the Wordless Music series in New York City. The piece, parts of which can be heard in Greenwood's score for the film There Will Be Blood "to great cinematic effect" (NPR), was performed for the premiere by conductor Brad Lubman and the Wordless Music Orchestra at the Church of St. Paul the Apostle. NPR and WNYC have now made a recording of the concert performance available online at npr.org.


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Click here to add the There Will Be Blood soundtrack CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Monday, February 25, 2008

Oscars Go to "There Will Be Blood," "Sweeney Todd"

At last night's Academy Awards ceremony, the creative teams behind There Will Be Blood and Sweeney Todd: The Demon Barber of Fleet Street both picked up statuettes.

Daniel_day_lewis_oscar There Will Be Blood star Daniel Day-Lewis was named Best Actor in a Leading Role. In his acceptance speech, he signaled out his director, describing the film as having sprung "like a golden sapling out of the mad, beautiful head of Paul Thomas Anderson." Day-Lewis had been nominated in the category three times previously and won in 1989 for his performance in My Left Foot. Robert Elswit earned the award for Best Cinematography; this was his first win, after having been nominated for the 2005 George Clooney film, Good Night, and Good Luck.

Tim Burton's film adaptation of Stephen Sondheim's Sweeney Todd was recognized for Best Art Direction, with awards going to Dante Ferretti and Francesca Lo Schiavo. This was the ninth nomination for Ferretti and the seventh for Lo Schiavo; the duo won for Art Direction for Martin Scorcese's 2004 film, The Aviator.

For complete coverage of the awards, visit oscar.com.


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Click here to add the There Will Be Blood CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Sweeney_deluxe_lg Click here to add the Sweeney Todd deluxe-edition CD, with all 20 songs from the film, plus the free album MP3s, to your Shopping Cart now for only $20.98.

Friday, February 22, 2008

NPR: "There Will Be Blood" Score "Sublime"; "Blood," "Sweeney Todd" at Sunday's Oscars

Oscar_statue Tune in to ABC this Sunday night at 8 PM ET to catch the 80th annual Academy Awards, red-carpet glitz and all. Jon Stewart, the host of Comedy Central's The Daily Show, will be hosting the ceremonies again this year.

The Tim Burton-directed adaptation of Stephen Sondheim's Sweeney Todd: The Demon Barber of Fleet Street has been nominated for three Academy Awards: Best Actor, Johnny Depp; Art Direction; and Costume Design.

Paul Thomas Anderson's There Will Be Blood shares the distinction, with No Country for Old Men,  of being the most nominated film this year, each in the running in eight categories. There Will Be Blood is nominated for Picture of the Year; Best Director and Best Adapted Screenplay for Anderson; and Best Actor for Daniel Day-Lewis. The film is up for Art Direction, Cinematography, Sound Editing, and Editing, as well. Jonny Greenwood's score for the film, while among the most critically acclaimed soundtracks of the year, was deemed ineligible due to a Motion Picture Academy technicality.

Jonny_greenwood_portrait NPR's Lars Gotrich calls the glitch "both unfortunate and unfair. The soundtrack perfectly exemplifies the main character, the cinematography, and the film's structure all at once." NPR has made the track "Henry Plainview," titled after the film's lead character, its Song of the Day and is streaming the piece on its site.

Gotrich says Greenwood was an "inspired choice" to compose the film's score, calling him "a modern-day John Cale, studying first in classical composition before moving into rock and then seamlessly commingling and alternating styles." He points in the selected track to "glissandos falling like angels from paradise" and concludes: "It's the stuff of what philosopher Edmund Burke called 'the sublime': art that has the power to destroy."

To read the article and listen to the track, visit npr.org.

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As perfectly suited to the film as Greenwood's score is, today's Houston Press reports that Greenwood's music works just as well on its own:

The album works marvelously well because it's a change of pace and Greenwood's writing is so strong ... It will leave you feeling exhausted---in a good way---and transported to another place, the very essence of a successful score ... However wary you might be of bringing soundtracks home and listening to them outside their original context, There Will Be Blood is worthy not because of Greenwood's status, but because of his compositional talents.

To read the full review, visit music.houstonpress.com.

For all the details on this Sunday's Academy Awards ceremony, visit oscars.com.


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Click here to add the There Will Be Blood CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98.

Sweeney_deluxe_lg Click here to add the Sweeney Todd deluxe-edition CD, with all 20 songs from the film, plus the free album MP3s, to your Shopping Cart now for only $20.98.

Wednesday, February 20, 2008

Slate: Greenwood's "There Will Be Blood" Score "One of the Most Original" in Years

Jonny_greenwood_slate_2 With the Oscars just days away, Slate takes a look at the soundtracks to this year's top contenders, No Country for Old Men and There Will Be Blood, despite the minor technicality that kept the latter out of the running for best score. Jan Swafford writes that Jonny Greenwood's score for There Will Be Blood should be recognized not for the rock roots of its composer, but "as one of the most original of recent years." Swafford compares Greenwood's contribution to Paul Thomas Anderson's epic film to Bernard Hermann's opener for Hitchcock's Vertigo: "haunting, disorienting, suddenly passionate."

To read the article, visit slate.com.


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Click here to add the There Will Be Blood CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98. For more information and more Nonesuch albums, visit the Nonesuch Store. 

Tuesday, February 19, 2008

"There Will Be Blood," "Sweeney Todd" Earn Top Design, Editing Awards

Saturday, February 16, 2008

Jonny Greenwood, Paul Thomas Anderson Win Berlin Film Festival Silver Bears

Berlinale_logo_2 Paul_thomas_anderson_berlinale_3 Congratulations to Jonny Greenwood and Paul Thomas Anderson (pictured at right), winners of the Berlin International Film Festival's Silver Bear awards for the year's Outstanding Artistic Contribution (Music) and Best Director of the Year, respectively, for There Will Be Blood.

For the complete list of winners and more information on the Berlin Film Festival, visit berlinale.de.


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Click here to add the There Will Be Blood CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98. For more information and more Nonesuch albums, visit the Nonesuch Store. 

Friday, February 15, 2008

"There Will Be Blood" Opens Across the UK Today; "The List" Gives the "Utterly Riveting" Film Five Stars

There_will_be_blood_poster_3 There Will Be Blood opens wide in movie theaters across the UK today, and The List magazine out of Scotland gives the film a perfect five stars. Critic Paul Dale writes that with this "utterly riveting" new film, director Paul Thomas Anderson "returns to the epic form with which he made his name."

For Dale, every aspect of the film, from the "poisonous zeal" with which Daniel Day-Lewis endows the lead character to Robert Elswit's Gone with the Wind-evocative cinematography to Johnny Greenwood "powerful score" ensures that this "grand and ambitious film is a remarkable achievement." To read the review, visit list.co.uk.


Greenwood_there_will_be_blood2_lg_2Click here to add the There Will Be Blood CD plus the free album MP3s, with three exclusive bonus downloads, directly to your Shopping Cart now for only $15.98. For more information and more Nonesuch albums, visit the Nonesuch Store. 

Monday, February 11, 2008

Times (UK), Evening Standard Give "There Will Be Blood" Five Stars

Greenwood_there_will_be_blood2_lg Congratulations to Daniel Day-Lewis, who won the BAFTA Award for Best Leading Actor for his performance as rapacious oilman Daniel Plainview in There Will Be Blood. The film opens in Europe this week after its premiere at the Berlin International Film Festival this past weekend.

The film's soundtrack, with music by Jonny Greenwood, recently won the Evening Standard Award for Best Film Score, giving the paper a chance to chat with the composer about "the striking beautiful music that he composed for the magnificent There Will Be Blood." The Evening Standard, in its profile of the composer, says of the score:

It's hard to imagine Paul Thomas Anderson's masterly tale of oil prospecting in 19th-century California without Greenwood's haunting soundtrack, a vital ingredient in the film's remarkable atmosphere of underlying unease ... The result is an intense 40 minutes of at times spooky and deeply uncomfortable, at others rather joyful, orchestral composition. It's a weird mix of horror-movie eeriness and full-blooded neo-romantic strings.

In the in-depth article, Greenwood discusses everything from his earliest compositional inspirations (Messiaen, Penderecki) to the initially intimidating but ultimately rewarding experience of working with Anderson and Day-Lewis on There Will Be Blood. It was Greenwood's work as BBC's composer-in-residence in 2004 that led the director to approach the musician to score his film, also, writes the Evening Standard, "adding weight to the claim that he's emerging as one of our finest modern classical composers."

To read the article, visit thisislondon.co.uk.

As for the film itself, the Evening Standard's Derek Malcolm gives There Will Be Blood five out of five stars and exclaims: "The only person who could trump Martin Scorsese or Terrence Malick as America's best film-maker is surely Paul Thomas Anderson." Malcolm also praises the nuance in Day-Lewis's performance, saying the actor "consistently adds to the power of the film by making Plainview not a villain but the kernel of a critical allegory about America." To read the review, click here.

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Daniel_day_lewis_paul_dano_2 The Times (UK) also offers considerable coverage of There Will Be Blood. Critic James Christopher gives the film a perfect five stars, calling it "an old-fashioned beast of a film," "a towering yarn," and "a magnificent watch." Utlimately, writes Christopher,

It's a biblical parable about America's failure to square religion and greed. But most of all it is a marvelously entertaining soap: a sort of Dickens does Dallas, without the sex or swimming pools.

To read Christopher's review, click here.

Also in the Times, writer Kevin Maher gives his own perspective in a four-star review, calling the film "a unique, startling and, well, slightly strange experience." He writes that Day-Lewis and his co-star, Paul Dano, "crackle dangerously together on screen," but that it is in the lead actor's standout solo portrait that the audience can "marvel at the enormity of the performance." To read Maher's review, click here.

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To purchase Greenwood's score to There Will Be Blood, with three exclusive bonus downloads, visit the Nonesuch Store.

Wednesday, February 06, 2008

New Lang, Kronos Albums Now Available in the Nonesuch Store

Lang_watershed_lg Lang_watershed_deluxe_lgWatershed, k.d. lang's first-ever self-produced album and her first collection of new, self-penned tunes since 2000's Invincible Summer, is now available in the Nonesuch Store. You'll find two versions of Watershed: the full-length album (pictured at left), on which k.d. puts her famous voice "to sunning new effect" (Daily News); and a special, deluxe package (pictured at right) with an additional bonus disc of live recordings and video footage. As always in the Nonesuch Store, with every CD purchase, you'll be able to download the album tracks instantly, either at the standard-sized 128 kbps or larger, audiophile-quality 320 kbps, at no additional charge.

For more on the record, visit nonesuch.com/watershed, where you can listen to three album tracks---"I Dream of Spring," "Je fais la planche," and "Sunday"---watch all six segments of the video interview series with k.d. recently posted to the Nonesuch Journal, and find information on k.d.'s upcoming tour schedule. You can find all the latest and archived Journal postings on k.d. by clicking here.

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Kronos_cusp_of_magic_lg Another new addition to the Store this week: Kronos Quartet's recording of composer Terry Riley's The Cusp of Magic, with pipa virtuoso Wu Man. Riley wrote the piece, which the Los Angeles Times says "brims with joy," for the Quartet, his longtime musical collaborators, in 2004. Included with the purchase of the CD on the Nonesuch Store, as an exclusive bonus download, is "Tusen Tankar," a traditional Scandinavian folk song arranged and performed by Kronos.

For all Kronos-related Journal entries, including information on the group's performance later this month in Carnegie Hall's Zankel Hall, click here. One of the pieces on the Carnegie Hall program is the world premiere of a piece by Fernando Otero, who also has a new album available in the Nonesuch Store: his "impressive" and "thoroughly original" (Newsday) Nonesuch debut, Página de Buenos Aires.

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Visit nonesuch.com/store for all the albums now available as CDs with instant MP3 downloads: Pat Metheny's Day Trip, The Magnetic Fields' Distortion, the Sweeney Todd motion picture soundtrack, and Jonny Greenwood's score to the film There Will Be Blood.

Monday, February 04, 2008

"There Will Be Blood," "Sweeney" Earn Evening Standard Film Awards

Jonny Greenwood picked up an Evening Standard British Film Award last night for Best Film Score for his contribution to There Will Be Blood. The film's star, Daniel Day-Lewis was named Best Actor.

Burton_bonham_carter_2 Helena Bonham Carter was recognized as Best Actress for her work both in Sweeney Todd and in the small, independent film Conversations with Other Women.

Winners were chosen by a panel of London film critics last December and handed out at last night's ceremony. Bonham Carter was accompanied by her partner, Sweeney director Tim Burton. Greenwood was joined by his band mate Thom Yorke, as his wife is due with their third child.

For all the coverage of the event, visit thisislondon.co.uk/standard.

Thursday, January 31, 2008

Telegraph: Greenwood Part of "Belle Epoque" of Brit Film Composers

Greenwood_there_will_be_blood2_lg Jonny Greenwood's score for There Will Be Blood has been praised by the New Yorker as a "revelatory" contribution to the world of film composition, and, writes the Telegraph (UK)'s Adam Sweeting, it just may signal a "Belle Epoque" of British film music.

In the article, Sweeting profiles a crop of British composers now in high demand in Hollywood and looks to explain why the UK has proven to be such a fertile source of top-notch writers.

"There's no single reason why this should be happening now," he concludes, "but the roots of the phenomenon may lie in a cross-breeding of classical tradition with the UK's bubbling cauldron of pop music."

Sweeting signals out the score from Greenwood as "a giant step in his reinvention as an orchestral composer above and beyond his work as Radiohead's guitarist."

You can read the article and listen to "Open Spaces" from the film soundtrack at telegraph.co.uk.

Greenwood's "There Will Be Blood" Makes Alex Ross's "Soundtrack to the City"

On the same day Alex Ross, the New Yorker music critic, enjoyed the Stephen Colbert treatment as a guest on the Colbert Report, Gothamist published an interview with Ross, in which he discusses his new book, The Rest Is Noise: Listening to the 20th Century.

Lieberson_bach_lg In the interview, Ross is asked what he would recommend to someone just learning to explore classical music. To get the full experience suggests both attending a live concert and buying a few representative CDs, including Lorraine Hunt Lieberson's album of Bach cantatas, BWV 82 and 199, and Steve Reich and Musicians playing Reich's Music for 18 Musicians.

Greenwood_there_will_be_blood2_lg_2 As for his current "soundtrack to the city," Ross cites two film scores: Jonny Greenwood's There Will Be Blood and Philip Glass's Koyaanisqatsi.

To read the interview, visit gothamist.com. To read more of what Alex Ross has to say about Greenwood's score, click here.

Monday, January 28, 2008

New Yorker: In "There Will Be Blood," Greenwood Creates a "Revelatory," "Unearthly Beautiful Score"

Greenwood_there_will_be_blood2_lg In the latest issue of The New Yorker, the magazine's music critic Alex Ross examines Jonny Greenwood's "unearthly, beautiful score" for There Will Be Blood and finds in it music that is a world apart from the usual film fare.

"There may be no scarcer commodity in modern Hollywood than a distinctive and original film score," Ross suggests, continuing:

Most soundtracks lean so heavily on a few preprocessed musical devices ... that when a composer adopts a more personal language the effect is revelatory: an entire dimension of the film experience is liberated from cliché. So it is with Paul Thomas Anderson's movie There Will Be Blood, which has an unearthly, beautiful score by the young English composer Jonny Greenwood. ... [A]s Orson Welles once said of Bernard Herrmann’s contribution to Citizen Kane, the music does 50 per cent of the work.

Complementing Daniel Day-Lewis's bravura performance as rising oil baron Daniel Plainview, Greenwood's score plays a significant role in the development of that character. "The coalescence of a wide range of notes into a monomaniacal unison," writes Ross, "may tell us most of what we need to know about the crushed soul of the future tycoon." Of the music, he says:

Greenwood writes rugged open-interval motifs ... mechanically churning Bartókian ostinatos ... primitivist drumming ... and long-limbed, sadly ecstatic, Messiaen-like melodies ... It's hard to think of a recent Hollywood production in which music plays such an active role.

Jonny_greenwood_portrait In his work with Radiohead, Greenwood has created "a fascinating synthesis of 20th-century sounds," according to Ross, "avant-garde Romanticism, you could call it," and with Popcorn Superhet Receiver, a piece featured in the film score's tracks "Henry Plainview" and "Proven Lands," Greenwood has created his "most ambitious score to date." The piece, says Ross, "has an elegiac air," one that

may explain why the work has such a powerful effect in There Will Be Blood, which, beyond the melodrama of Daniel Plainview's external rise and internal collapse, shows a primeval American landscape on the brink of violent transformation ... [I]f the smeared string glissandos on the soundtrack suggest liquid welling up from underground, the accompanying dissonances communicate a kind of interior, inanimate pain. The cellos cry out most wrenchingly when Plainview scratches his name on a claim, preparing to bleed the land.

To read Ross's article, pick up the latest issue of The New Yorker or visit newyorker.com. To listen to three tracks from the score, including "Proven Lands," visit nonesuch.com/twbb. To purchase the soundtrack, with three exclusive bonus downloads, visit the Nonesuch Store.

Day-Lewis Wins Best Actor SAG Award for "There Will Be Blood"

Daniel_day_lewis_chair Sag_awards_logo Congratulations to Daniel Day-Lewis, who was presented with the Screen Actors Guild (SAG) Award for Best Male Actor in a Lead Role for his masterly performance in There Will Be Blood. Day-Lewis dedicated his award to actor Heath Ledger.

For the complete list of winners of the 14th Annual Screen Actors Guild awards, visit sagawards.org.

Tuesday, January 22, 2008

Multiple Oscar Nominations Go to "There Will Be Blood" and "Sweeney Todd"

Oscar_statue The nominations for the 80th Academy Awards have been announced. Congratulations go to There Will Be Blood and Sweeney Todd, which have received a combined 11 nominations.

There Will Be Blood was nominated for Best Motion Picture of the Year; Paul Thomas Anderson was nominated twice, both for Director and Adapted Screenplay; and Daniel Day-Lewis is among the nominees for Actor in a Leading Role. The film also earned noms for Art Direction; Cinematography; Film Editing; and Sound Editing.

For Sweeney Todd, Johnny Depp was also nominated for Actor in a Leading Role, and the film received noms for Art Direction and Costume Design.

For more information and the complete list of nominees, visit oscars.com. The Awards will be handed out in Hollywood on February 24.

NY Times: Greenwood Piece "Viscerally Exciting, Intellectually Engaging"

Jonny_greenwood_portrait Jonny Greenwood's Popcorn Superhet Receiver, a piece featured in his score for There Will Be Blood, received its US premiere at the Wordless Music Series in New York City last week. In the New York Times review of the concert, Allan Kozinin calls the piece "viscerally exciting and intellectually engaging." Kozinin describes it as follows:

Mr. Greenwood’s score, even at its most densely atonal, has a consistently alluring shimmer and embraces everything from lush vibrato, glissandos and sudden dynamic shifts to slowly rising chromatic themes. Toward the end his clusters give way to a prismatic full-orchestra pizzicato section: imagine the scherzo of Tchaikovsky’s Fourth Symphony on steroids, or acid, or both.

To read the full concert review, visit nytimes.com. To hear music from There Will Be Blood and to purchase the soundtrack, visit nonesuch.com/twbb.

Friday, January 18, 2008

International Film Music Critics Nominate Johnny Greenwood for Breakout Composer

Greenwood_there_will_be_blood2_lg The International Film Music Critics Association (IFMCA), which honors the best in film and television music, has nominated Jonny Greenwood for Breakout Composer of the Year for his There Will Be Blood score. For more information on the IFMCA and a complete list of this year's award nominees, visit filmmusiccritics.org. Winners will be announced on February 15.

Thursday, January 17, 2008

Celebrating the Multiplicity of Modern Music

Just in time for this month's multi-dimensional Sydney Festival of music, dance, theatre, and more, the Sydney Morning Herald recently reprinted an essay by composer Nico Muhly published last fall in the Guardian, asserting that the cross-pollination between pop/rock and contemporary classical music needn't resort to anything as metaphorically contorted as the bending, breaking, or busting of genres at all. Rather, writes Muhly: "The best sort of interchange between experimental classical music and experimental rock and pop consists of a shared dialogue with the goal of making music."

Muhly points to the era of compositional experimentation of the '60s and '70s by leading figures like Steve Reich, Philip Glass, and Terry Riley as purveyors of "the productive intersection between notated and non-notated music" that would soon spread beyond the "classical" world. In the work of this vanguard could be seen "classically trained composers relinquishing control, backing off of the laser-like precision of Stravinskian detail and replacing it with a type of communal music-making more commonly found in rock bands."

Kronos_cusp_of_magic_lg Citing artists like Radiohead, Björk, and Sufjan Stevens (the latter two contributors to the Nonesuch Tribute to Joni Mitchell) as the heirs to this new mode of composition, Muhly points, among other things, to Björk's inclusion of the pipa on her latest release, Volta, not as some simplistic East-West "fusion" but rather as just one more component in her expansive creative palette. (Similarly, pioneering composer Terry Riley's Cusp of Magic, written for Kronos Quartet and pipa virtuoso Wu Man, brings together Chinese lullabies and digital audio samples of musical toys, so that, in the composer's words, "Western musical themes might be projected with an Eastern accent and vice-versa." Nonesuch will release the Kronos/Wu Man recording of the piece, pictured above right, on February 5.)

Adams_john_2In Stevens's case, the singer-songwriter "makes active references to the American minimal tradition (Reich, Glass, Adams) in his music." His breakout album Illinois even includes a lengthy musical reference "lifted almost directly from Adams's Common Tones in Simple Time," writes Muhly. "But, Stevens has a more complicated compositional process than just borrowing." Referencing "an incredibly successful moment" in one song, Muhly says "it works because Stevens has harnessed his minimalist pattern-based energies and sent them straight up from the earth to the sky."

For Muhly, the emotional core is precisely where musical cross-pollination should begin, writing that it

is best achieved when it bypasses thought and operates through the nervous system, the spine and the fingertips ... Modern musicians can pick and choose what goes into their music. The literal crossing-over is already done. It is simply a matter of a making a plan and not giving it a name except your own.

To read the complete article, visit smh.com.au or arts.guardian.co.uk.

Wednesday, January 16, 2008

Jonny Greenwood Piece to Receive US Premiere at NY's Wordless Music Series

Jonny_greenwood_portrait Jonny Greenwood's Popcorn Superhet Receiver, featured in his score for the film There Will Be Blood, will receive its US premiere tonight at the latest concert in New York's popular Wordless Music Series. Conductor Brad Lubman will be leading the Wordless Music Orchestra in a performance of John Adams's Christian Zeal and Activity and Gavin Bryars's The Sinking of the Titanic as well. The ensemble will give an encore performance of the program tomorrow night. Both concerts will be held at the Church of the St. Paul the Apostle at Columbus Avenue and West 60th Street in Manhattan.

Greenwood discusses the piece in a New York Times article previewing tonight's premiere. To read the article, visit nytimes.com.

For more information, visit wordlessmusic.org. You can also read more about the series and its creator, Nonesuch Records' own production coordinator, Ronen Givony, in an earlier Nonesuch Journal entry by clicking here.

"There Will Be Blood" Nabs Nine BAFTA Nominations Including Best Film, Score

Bafta_logo There Will Be Blood has been nominated for an astounding nine BAFTAs, the Orange British Academy Film Awards, including Best Film of the Year. Jonny Greenwood earned a nomination for his score; Paul Thomas Anderson received two nominations, for Director and Adapted Screenplay; Daniel Day-Lewis for Leading Actor; Paul Dano for Supporting Actor; Robert Elswit for Cinematography; and Jack Fisk and Jim Erickson for Production Design. The film was also nominated for Best Sound.

Sweeney Todd received two BAFTA nominations, for Costume Design and Make Up and Hair.

For the complete list of nominees, visit bafta.org. The Awards ceremony will be held at London's Royal Opera House on Sunday, February 10.

Both the Sweeney Todd and There Will Be Blood soundtracks are available now at the Nonesuch Store.

"There Will Be Blood"'s Day-Lewis Featured in Men's Vogue Cover Story

Day_lewis_cover_mensvogue Daniel Day-Lewis, who earlier this week was awarded the Golden Globe for his incomparable performance in There Will Be Blood, is featured in an in-depth cover profile in the latest issue of Men's Vogue magazine.

In preparing for her interview with Day-Lewis ("one of the most dedicated and disciplined actors of his generation"), writer Sophie Dahl attends a screening of the film, with its "otherwordly" score by Jonny Greenwood, and the experience leaves her clearly moved.

"The film is flawless and relentless, each aspect married seamlessly to the next," Dahl writes. "The performances are mesmerizing, all of them ... [T]he film is brilliant."

You can find the profile online at mensvogue.com, along with a slideshow of photos from throughout Day-Lewis's storied career.

Tuesday, January 15, 2008

Producers Guild Nominates "There Will Be Blood" for Best Film

Pga_logo The Producers Guild of America has nominated There Will Be Blood for the Daryl F. Zanuck Producer of the Year Award, recognizing the year's best in film. For more on the Guild and the complete list of nominees, visit producersguild.org.

Monday, January 14, 2008

Golden Globes Go to "Sweeney Todd," Johnny Depp, and Daniel Day-Lewis

Goldenglobestat_2 Congratulations to Sweeney Todd: The Demon Barber of Fleet Street and There Will Be Blood for their Golden Globe wins. The Hollywood Foreign Press Association has named Sweeney Todd Best Picture of the Year, Comedy or Musical, and Johnny Depp Best Actor in a Comedy or Musical. There Will Be Blood star Daniel Day-Lewis was also a winner for Best Actor in a Drama.

For more information and the complete list of winners, visit goldenglobes.org.

Newsday: Greenwood's "Blood" Music a True "Landmark" Film Score

Greenwood_there_will_be_blood2_lg Newsday's Jan Stuart, in decrying the omission of Jonny Greenwood's There Will Be Blood score from the list of Golden Globes nominees, calls the composer's creation "one of the most startling facets of this soaring period drama and one of the few film scores in recent years that can honestly own the sobriquet of landmark."

To read the article, visit newsday.com.

ACE Nominates "There Will Be Blood" and "Sweeney Todd" for Best Editing

Ace_logo_copy_2 The American Cinema Editors have announced the nominees for the 58th Annual ACE Eddie Awards, presented for the year's best in editing for film and television. There Will Be Blood editor Dylan Tichenor, A.C.E., was nominated for Best Edited Feature Film (Dramatic), and Sweeney Todd editor Chris Lebenzon, A.C.E., for Best Edited Feature Film (Comedy or Musical). The awards will be handed out on February 17 at the Beverly Hilton Hotel.

For more information about the award and the list of nominees, visit ace-filmeditors.org.

Sunday, January 13, 2008

Boston Globe: Greenwood's "There Will Be Blood" Score "A Movie Music Breakthrough"

Greenwood_there_will_be_blood2_lg The Boston Globe's Ty Burr calls Jonny Greenwood's score for There Will Be Blood "a movie music breakthrough" and, breaking the mold of the typical film score, "a character in its own right."

Over the course of the soundtrack, the music works its way from "eerie" to the sound of "a prodigious industrial noise," says Burr, as it mirrors and foretells the action on screen. And, he writes, "there's beauty here as well," with one track in particular, "Prospector's Arrive," creating "a gorgeously meditative mood through which Ives-esque piano chords float like parlor music through an open window."

The power of the soundtrack remains beyond the duration of the film. "Like everything else about Paul Thomas Anderson's movie," Burr explains, "Greenwood's score plants seeds that flower long after the story takes place."

To read the full soundtrack review, visit boston.com. To purchase the soundtrack with three exclusive bonus downloads, visit the Nonesuch Store.

Friday, January 11, 2008

Miami Herald: "There Will Be Blood" Strikes "Genius"

In the four-star Miami Herald review of Paul Thomas Anderson's There Will Be Blood, Rene Rodriguez writes that Daniel Day-Lewis performs "one of the all-time great screen feats of acting" in his portrayal of the ruthless American oilman Daniel Plainview. Of the director, Rodriguez writes that, with Blood, Anderson aims to

harness the old-fashioned American Western epic [reminiscent of] John Fordwith the probing psychology and intimacy of a modern-day character study. The fact that that character happens to be so repellentand yet so endlessly fascinatingis one of the film's many strokes of genius.

To read the full review, visit miamiherald.com.

Entertainment Weekly Recommends "Blood," "Sweeney" for Oscar Noms

Greenwood_there_will_be_blood2_lg Sweeney_deluxe_lg_3 Entertainment Weekly's Dave Karger handicaps the field of potential Oscar nominees and puts forward the list he'd like to see once the names are announced.

There Will Blood is among those he'd pick for the Best Picture list, with Paul Thomas Anderson on the Best Director and Best Adapted Screenplay lists. The film's lead actor, Daniel Day-Lewis makes Karger's list for Best Actor, as does Johnny Depp for his performance in Sweeney Todd.

To read the full report, visit ew.com.

Thursday, January 10, 2008

Santa Barbara Independent: Bill Frisell This Week's Show of the Week

Metheny_quartet_lg The Santa Barbara Independent takes advantage of the start of the New Year to combine the paper's list of the best of last year with a look at the best of what's to come. There Will Be Blood is among the best films of 2007, and among the city's best live shows last year, the Independent's Josef Woodard lists both Wilco's concert at the Santa Barbara Bowl in support of Sky Blue Sky and the Pat Metheny / Brad Mehldau Quartet gig at Campbell Hall.

Frisell_bill For this week's Show of the Week, Woodard names Bill Frisell's return to the city's Lobero Theatre, where "the always intriguing and poetic guitarist" will perform on Saturday with drummer Joey Baron. Woodard recalls Bill's 2004 performance at the Lobero as "one of the more enchanted musical encounters in the long history" of the Theatre, and says that Frisell "continues to surprise and delight," citing the guitarist's "dynamic" 2006 Nonesuch release with the "inspired" Ron Carter and Paul Motian.

To read the article, visit independent.com. For more information on Bill's show this Saturday, visit lobero.com.

News & Review: Greenwood's "There Will Be Blood" Score Is Just What the Film Needs

Greenwood_there_will_be_blood2_lg_2 The Sacramento News & Review calls There Will Be Blood "a real achievement" and says that with the film, director Paul Thomas Anderson "has achieved a bombastic breakthrough ... This is the best work he’s ever done."

Despite the very American story at the heart of There Will Be Blood, it is two British talentsDaniel Day-Lewis, "a titan" in the lead acting role, and Jonny Greenwood as composer of the score"without whose contributions the movie almost certainly wouldn’t work," writes the News & Review's Jonathan Kiefer. He calls Greenwood an "essential performer" in the film and the music just "what this throbbing film needs."

To read the review, visit newsreview.com/sacramento. To listen to three tracks from the soundtrack, click here.

Bay Area Reporter: Greenwood's "Mind-Blowing" Score for "There Will Be Blood" Is "In a Class by Itself"

The Bay Area Reporter says that Jonny Greenwood's score for There Will Be Blood "is nothing short of mind-blowing." Writes reviewer Gregg Shapiro: "Greenwood's stunning compositions and orchestration put this soundtrack in a class by itself."

To read the review, visit ebar.com. To purchase the soundtrack with three downloadable bonus tracks, visit the Nonesuch Store.

Desert Sun: Greenwood's "There Will Be Blood" Score "A Marvel" in "A Perfect Film"

Greenwood_there_will_be_blood2_lg The Palm Springs Desert Sun calls There Will Be Blood "a perfect film," citing "stellar casting, cinematography, and score" that make it "one of the best films of the year."

The Desert Sun credits director Paul Thomas Anderson with having "crafted the best movie of his career" and for having guided actor Daniel Day-Lewis, who "mesmerizes" in the lead role, in "the best performance of the year." (The paper's home town is currently hosting the Palm Springs International Film Festival, which, at a Gala event this week, honored Day-Lewis with the Desert Palm Achievement Award.)

The review points as well to the "breathtaking" cinematography of Robert Elswit and says that Johnny Greenwood's "resonant score ... is a marvel. His music adds layers to the film."

To read the full review, visit mydesert.com. To purchase the soundtrack with three exclusive bonus tracks, visit the Nonesuch Store.

Wednesday, January 09, 2008

Rolling Stone: Greenwood's "There Will Be Blood" Score "Reinvents What Movie Music Can Be"

Greenwood_there_will_be_blood2_lgRolling Stone's Peter Travers, in his four-star review of Paul Thomas Anderson's There Will Be Blood, writes that "in terms of excitement, imagination and rule-busting experimentation, it's a gusher ... There Will Be Blood hits with hurricane force."

In such a powerful piece, the soundscape behind it forms a "crucial" foundation. "And the score by ... Jonny Greenwood is revolutionary," writes Travers, "a sonic explosion that reinvents what movie music can be."

At the helm of There Will Be Blood, Anderson, "a huge talent with an uncompromising gift for language and composition," proves himself to be "an artful renegade who restores your faith in the harsh power of movies." The film, Travers says, is Anderson's "bloody and brilliant Citizen Kane."

Daniel_day_lewis_pipe The acting force at its core is Daniel Day-Lewis, who,

no ifs, ands or buts, gives one of the great elemental performances in modern cinema ... "Gargantuan" is a puny word to describe his landmark performance. Try "electrifying" or "volcanic" or anything else that sounds dangerous if you get too close.

And in a powerful supporting role, actor Paul Dano, earns "all praise" from the reviewer.

That praise extends to the "equally astonishing" visual components from production designer Jack Fisk and cinematographer Robert Elswit, who offers "proof that cinematography can be an art form ... [He is] a genius of camera and lighting who can make visual poetry out of black smoke and an oil well consumed by flame."

All told, "There Will Be Blood hits with hurricane force."

To read Travers' review, visit rollingstone.com. To purchase the soundtrack with exclusive bonus downloads, visit the Nonesuch Store.

Tuesday, January 08, 2008

Jonny Greenwood Wins Critics' Choice Award for "There Will Be Blood"